EDICION 18

08.06.2020

We did not choose this future

If the white and colonial pandemic has systematically denied the course and ways of non-white lives, artist iki yoss piña narváez funes calls, from poetics, on Black resistance from the expanded body.

We did not choose this future. We did not choose the colonial pandemic.

In the dark, during this transatlantic time, our bodies were controlled. The colonial pandemic prison regime sought to enclose our bodies and our languages.

We Black Maroons were able to escape. Our Black telepathy hasn't been controlled either.

The white and colonial pandemic always existed. Post-pandemic time doesn't exist because we live in this anti-Black, anti-Indigenous, and anti-trans* world. This is the pandemic world. We know that "there are Black people in the future" ^[1] because "Black love and freedom reside beyond the body". ^[2]

Black love is telepathic because we are always remembering that we are alive. We know death is one more path of exú. For us, Blacks, indigenous people—fugitives of cisgenderism—death is not the end of life.

--- Text and illustrations by iki yos piña narváez funes

We did not choose this future. We did not choose the colonial pandemic.

In the dark, during this transatlantic time, our bodies were controlled. The colonial pandemic prison regime sought to enclose our bodies and our languages.

We Black Maroons were able to escape. Our Black telepathy hasn't been controlled either.

The white and colonial pandemic always existed. Post-pandemic time doesn't exist because we live in this anti-Black, anti-Indigenous, and anti-trans* world. This is the pandemic world. We know that "there are Black people in the future" ^[1] because "Black love and freedom reside beyond the body". ^[2]

Black love is telepathic because we are always remembering that we are alive. We know death is one more path of exú. For us, Blacks, indigenous people—fugitives of cisgenderism—death is not the end of life.

--- Text and illustrations by iki yos piña narváez funes

Pie de foto para Imagen 2

Earthen Passages: Artist Alfredo Ceibal’s Prophetic Journeys

06.08.2020

Àtúnbí, I Want Us to Survive Because We Survived

03.08.2020

Making the [Private] Public: Resonances between Art/Activism/Caregiving (1980 – 2080)

30.07.2020

Feeling art: affections and sensations in conversation

27.07.2020

An Anti-Colonial Pluriverse

23.07.2020

The Dance of Museums (in Post-Apocalyptic Fiction) and the Feminist Hammer (Against the New Normal)

20.07.2020

Agua, tierra (mágica) y hongos. Sobre tres proyectos expositivos llevados a cabo en el MAC Lima

16.07.2020

Reclaiming The Right to Imagine: Against a Hijacking of Our Future Gaze & Time

13.07.2020

Queer Futures, Animal Utopias, and Ingenuous Affects: Landscapes for a Strange New Political Imagination of Tomorrow

10.07.2020

The Year I Stopped Making Art. Why the Art World Should Assist Artists Beyond Representation: in Solidarity

11.05.2020

Cargar Más

EDICION 18

08.06.2020

We did not choose this future

We did not choose this future. We did not choose the colonial pandemic.

In the dark, during this transatlantic time, our bodies were controlled. The colonial pandemic prison regime sought to enclose our bodies and our languages.

We Black Maroons were able to escape. Our Black telepathy hasn't been controlled either.

Black love is telepathic because we are always remembering that we are alive. We know death is one more path of exú. For us, Blacks, indigenous people—fugitives of cisgenderism—death is not the end of life.

We did not choose this future. We did not choose the colonial pandemic.

In the dark, during this transatlantic time, our bodies were controlled. The colonial pandemic prison regime sought to enclose our bodies and our languages.

We Black Maroons were able to escape. Our Black telepathy hasn't been controlled either.

Black love is telepathic because we are always remembering that we are alive. We know death is one more path of exú. For us, Blacks, indigenous people—fugitives of cisgenderism—death is not the end of life.

Artículos relacionados

Earthen Passages: Artist Alfredo Ceibal’s Prophetic Journeys

Àtúnbí, I Want Us to Survive Because We Survived

Making the [Private] Public: Resonances between Art/Activism/Caregiving (1980 – 2080)

Feeling art: affections and sensations in conversation

An Anti-Colonial Pluriverse

The Dance of Museums (in Post-Apocalyptic Fiction) and the Feminist Hammer (Against the New Normal)

Agua, tierra (mágica) y hongos. Sobre tres proyectos expositivos llevados a cabo en el MAC Lima

Reclaiming The Right to Imagine: Against a Hijacking of Our Future Gaze & Time

Queer Futures, Animal Utopias, and Ingenuous Affects: Landscapes for a Strange New Political Imagination of Tomorrow

Venice, divinations of the present

X, A Particle That Travels

Of Fututos, Cayucos and Chichiguas: Escape Routes and Travel Artifacts

The Shadow and the Ash

GLOBAL WARMING (Terremoto remix)

Ready-Made Truths

The Black Angel of History and the Age of Necrocapitalism

"Post-Putismo" and Utopia

We Haven't Left: Feminist Notes of the Unthinkable

A History of Color (Or Why Art Will Not Save Us in Times of a Pandemic)

Epidermia

kuir confinements: making an anti-normative gesture out of living

Beating Resistance: On the Potential for Connection in the Symbolic/Poetic

The Universal Right to Breathe

The Year I Stopped Making Art. Why the Art World Should Assist Artists Beyond Representation: in Solidarity